7.3

The Shape of Water

02 h 03 m

An other-worldly story, set against the backdrop of Cold War era America circa 1962, where a mute janitor working at a lab falls in love with an amphibious man being held captive there and devises a plan to help him escape.

Director:
Guillermo del Toro
Stars:
Sally Hawkins, Doug Jones, Michael Shannon
"A Fluid Tapestry of Love: The Shape of Water Review"

Posted Thursday, Nov 16, 2023 48

Set against the backdrop of Cold War era America circa 1962, The Shape of Water weaves a story about Elisa, a mute and isolated woman who works as a cleaning lady in a high-security government laboratory. Her life changes forever when she discovers a classified experiment: a mysterious, amphibious creature. A unique bond evolves, leading to a fantastical tale of love and self-discovery.

Del Toro masterfully embroiders themes of love, communication barriers, and otherness against a tone that`s at once melancholic and enchanting. A poignant commentary on the era’s politics and societal norms runs beneath the film’s magical realism, holding a mirror up to the viewers` own worldviews.

Sally Hawkins delivers a silent tour-de-force as Elisa, eloquently speaking volumes without uttering a word. Doug Jones’ portrayal of the creature is a marvel of empathic performance, his physicality breathing life into a character who could have easily been a visual effect. The supporting cast, including Octavia Spencer and Michael Shannon, provides layers of human complexity and moral ambiguity.

Guillermo del Toro orchestrates a cinematic ballet, with his vision for The Shape of Water replete with delicate precision and passionate storytelling. Every scene feels purpose-built to meld a clear, fairy-tale narrative with the nuanced, grim realities of the time.

The Shape of Water movie review

Alexandre Desplat`s score provides a hauntingly romantic cadence that intertwines with the film`s visuals, enhancing the story’s flow with an aquatic elegance that feels both timeless and otherworldly.

The cinematography, with its teal and amber palette, paints an underwater dreamscape where the ordinary becomes fantastical, perfectly aligning with the film’s surreal narrative.

The production design echoes the film`s ethereal quality, with sets that craft a world that’s both grounded in its 1960s setting and steeped in a dreamlike quality, making Elisa’s connecting with the creature effortlessly credible.

The creature, brought to life with an amalgamation of practical effects and judicious CGI, is a testament to the artistry of filmmaking. Effects enhance without distracting, solidifying The Shape of Water as a triumph in visual storytelling.

The Shape of Water movie review

The editing is rhythmic, almost musical, with cuts that flow naturally and build the narrative without jarring transitions, creating a seamless yet dynamic viewing experience.

The pacing is deliberate, reflective much like the ebb and flow of water, allowing audiences to immerse themselves deeply in each moment, developing a connection with the characters` journeys.

Del Toro and Vanessa Taylor`s script is poetic, with dialog that feels both authentic to the period and resonant to contemporary ears, balancing silence and sound to make every spoken word meaningful.

While The Shape of Water is an astounding piece of art, some may find its pacing leisurely, possibly to the detriment of viewers accustomed to more brisk storytelling. Certain narrative elements seem familiar, perhaps less innovative in the grand scope of fantasy cinema, but it is in how these elements are woven together that the film finds its unique voice.

The Shape of Water left an indelible imprint on my heart, reminding me of the transcendental power of cinema. It evoked a gamut of emotions, from melancholy to warmth, inviting introspection about the very essence of love and the invisible lives that ripple through the tides of history. It resonates as a testament to the fact that sometimes the most profound connections are those forged in silence and bolstered by an unwavering belief in the impossible.

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